By David Steinberg

Two author-led writing workshops highlight “A Celebration of Writing” on Friday, Nov. 8 at the Albuquerque Museum, 2000 Mountain NW, in Old Town.

Darynda Jones, an award-winning Portales author,  will lead a 9 a.m. workshop on “The Architect: How Plotting Keeps Your Story Tight, Tense and Tantalizing.”

Jones has written best-selling paranormal romantic thrillers and a young adult series.

Dawn Wink, who teaches at Santa Fe Community College, will give a 10:45 a.m. workshop titled “Creating a Sense of Place in Fiction and Non-Fiction.” Wink wrote the novel “Meadowlark” and co-authored “Teaching Passionately.”

The fee is $150 for both workshops and includes lunch at the Slate Cafe in the museum and free parking.

The public is invited to attend free afternoon panel discussions with Jones and Wink.

At 3:30 p.m. the winners of five writing contests will be annnounced.

To register for the workshops and for more information go to https://albuquerquemuseumfoundation.org/writing/

By David Steinberg

Sonia Sotomayor is a United States Supreme Court Justice. And she’s the nation’s first Latina justice.

But you may not have known this fact: She’s an author of books for adults and children.

Sotomayor’s newest book – just published Sept. 3 – is “Just ask! Be different, Be brave, Be you!” The Spanish-language edition is “¡Solo pregunta! – Sé diferente, sé valiente, sé tú.”

As the title declares, the book encourages children to free themselves of constraints. Instead of  simply wondering to themselves why others are different, don’t be afraid to speak up. Ask questions to understand the differences of those around them.

In the book’s story, children with different and challenging conditions can accomplish things and in their own ways they all help make a community garden grow.

The conditions the children have include blindness, deafness, asthma and dyslexia, a learning disability.

A young girl named Sonia narrates the story. She tells about the conditions that she has ( diabetes) and her neighborhood friends have.

For example:

-Vijay is deaf but he communicates using sign language

-Bianca has dyslexia so she has to work extra hard and take her time in reading and writing words.

-Ahn speaks with a stutter so sometimes she has to repeat a word when she gets stuck.

-Madison is blind but has a guide dog to help her get around. Her friend Arturo is also blind but he uses a can to get around. The two of them can still smell, hear, and touch.

-Rafael has asthma. He uses an inhaler when he has trouble breathing.

The colors, shapes and fragrances of blossoms, berries and leaves reveal the variety of growth in the community garden. That variety is a metaphor for the children’s different conditions.

Just like the young girl Sonia,, the justice writes that she herself suffered from juvenile diabetes, and that was the impetus for writing the book. Because of that childhood condition she sometimes had to publicly inject herself with shots of medicine called insulin. She did it because she wanted to be healthy.

But she wondered why none of her friends and classmates asked her what she was doing. She remembers their silence – Was she doing something wrong? No, she wasn’t. So now we have the book “Just ask!” to give today’s youngsters permission to ask.

Yes you can! ¡Sí se puede!

The book is a terrific story that is helpful for kids to know each other’s differences. It’s aimed at children ages four to eight but it’s really a book that teens and adults can learn from.

The text is richly and brilliantly enhanced by the bold, colorful art of award-winning illustrator Rafael López.


Justice Sotomayor will discuss and autograph copies of her new children’s book “Just Ask!” at 5 p.m. Sunday, Sept. 8 at the KiMo Theatre, Fifth and Central NW, Albuquerque. The free public event is sold-out.

By David Steinberg

Music is in tenor Gabriel Liboiron-Cohen’s blood.

His paternal grandparents were both singers. His grandfather was a cantor in Oakland Calif., and his grandmother sang with the Robert Shaw Chorale.

“On my father’s side of the family everyone is a musician. My mother was a ballerina and she teaches ballet in the Bay Area,” Liboiron-Cohen said.

He will take the stage at 3 p.m. Sunday, Sept. 10, kicking off the New Mexico School of Music’s Faculty Concert Series. The concert is at the 136 Washington SE, Suite J.

“It’s mostly a song recital with a few favorite arias of mine,” Liboiron-Cohen said.

Arias include “Lunge da Lei…De Miei Bollenti Spiriti” from Giuseppe Verdi’s “La Traviata,” Lensky’s aria from Tchaikovsky’s opera “Eugene Onegin” and “Pourquoi me Réveiller” from Jules Massenet’s opera “Werther.”

The art songs are by different composers spanning the 17th through the 20th century.

Accompanying Liboiron-Cohen in the recital will be pianist Lawrence Blind, chair of the music school’s Piano Department and assistant director of the school.

Liboiron-Cohen teaches voice at the school.

His stage experience includes the role of Il Contadino in the Opera Southwest production of Leoncavallo’s “I Pagliacci,” the role of Rinuccio in the UNM Opera Theatre production of Puccini’s “Gianni Schicchi,” and soloist (Archangel Uriel) in the New Mexico Philharmonic’s performance of Haydn’s “The Creation.”

Liboiron-Cohen will be covering the role of Ruodi in the OSW production of Rossini’s “Guillaume Tell” this fall. 

“Since we opened in 2005 we have always offered a single recital each year. But I wanted to expand it to show the community and the students the quality of our teachers as performers,” said Tatiana Vetrinskaya, the New Mexico School of Music’s founder and director.

“This year finally my dream came true – that this is the time to show these talented teachers who are also performers.”

Vetrinskaya said she remembers when she was a student in Moscow, “and I listened to recordings of pianists, but the most important thing was when my piano teacher gave a recital.

“That made me decide to become a musician and more important I wanted to play like my teacher.”

She became a teacher herself but she also has been performing solo recitals, soloing with orchestras and playing with chamber ensembles.

Teaching and performing are her twin passions.

“I can’t imagine myself as a performer without sharing my knowledge with students. It’s important to be a teacher if you are a performer. The students can hear that we also practice, that we like music and that we perform,” Vetrinskaya said.

The genres of music to be performed in the Faculty Concert Series include classical, jazz, rock, popular broadway songs and songs from films.

The school has more than 600 students at two Albuquerque locations – at 136 Washington SE and at 10701 Montgomery NE.

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Here are the other concerts in the series.

-Oct. 8. The duo of flutist Lauren Harris and pianist Sam Jacobs.

-Nov. 19. Four pianists at two grand pianos – Vetrinskaya, Blind, Marina Magazinnik and Steve Wiseman.

-Feb. 4. A lecture-recital with pianist Fred Kronacher.

-March 4. A chamber music concert with violinist John Yuan, violist Andrea Rutan, cellist Zachary McGee and pianist Gabriel Landstedt.

-April 15. A jazz piano recital with Jim Balagurchik.

The above-mentioned concerts are at the school’s location on Washington SE.

However, the May 6 grand finale concert with various faculty members will be held at the University of New Mexico’s Keller Hall, Center for the Arts.

All concerts are at 3 p.m.

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Admission is $20 general public, $15 seniors, $10 children. New Mexico School of Music students 12 and younger are free. Tickets are available in advance at the school’s Washington SE location or at the door.

By David Steinberg

It is easy to see how 2017 is a landmark year for Michael Connelly, an award-winning writer of crime fiction.

Consider these literary events.

One. Earlier this summer the paperback edition of Connelly’s bestselling Harry Bosch novel “The Wrong Side of Goodbye” was released.

Two. The next novel featuring Bosch as the central character is “Two Kinds of Truth.” It is due out in cloth this October.

Three. About a week ago – on July 18 to be exact – Little, Brown published another masterful police procedural by Connelly. It’s titled “The Late Show.”

No Bosch in this book, however. Instead it heralds the debut of a new protagonist. Her name is Renée Ballard and she’s a Los Angeles police detective who works the graveyard shift, “the late show” in cop lingo.

A woman in a man’s world, Ballard’s risk-taking, candor and honesty make her as sympathetic as Bosch. And like him but in her own way, Ballard prefers to  operates as a lone wolf and is a dogged seeker of justice.

Ballard has a partner named Jenkins three days a week. They each fly solo two days a week. Jenkins sticks to the hours of his shift. He wants to be home when his wife, who has cancer, is awake.

Ballard’s doggedness surfaces from the first pages of the novel.

In the their initial case, Ballard and Jenkins interview a 77-year-old woman who lost her wallet and credit card in a home burglary. Ballard eventually tracks down the burglar who is an enterprising thief.

In the second chapter Ballard and Jenkins are diverted to investigate the assault of a male prostitute dressed as a woman. The cross-dresser is hospitalized after a severe beating. Again, it’s Ballard who goes after a menacing suspect and, in a thrilling turning point in the novel, Ballard finds herself in a kill-or-be-killed situation.

A third case, and the bloodiest of the three, also emerges in the second chapter and becomes the dominant storyline. Five people are shot to death in a nightclub. Three of the victims are in the same booth as the shooter. The other victims are the bouncer and a waitress.

Ballard is not officially on this case. But she’s asked to gather the belongings of the dead waitress, notify next of kin and pass along an impounded camera with images another club patron took during the violence. Ballard does her part. Still, she’s curious about who the shooter is, who the victims are and why a fellow cop is spending so many hours at the crime scene.

The novel incorporates issues of bad cops, sexist cops, and biased journalists; a newsman is too tight with an upper-level cop.

A hint of potential romance appears but Ballard isn’t ready. She’s still dealing with the internal politics of an overly aggressive colleague.

If you’re familiar with the Bosch series, “The Late Show” will make you a fan of Ballard and you’ll soon find yourself reading the earlier Bosch installments and maybe even the courtroom drama/crime novels featuring Bosch’s flamboyant half-brother, LA lawyer Mickey Haller.

Oh, there’s another relevant bit of information reinforcing 2017 as a landmark year for Connelly.  This spring marked the third season of the Amazon Studios’ TV series “Bosch” on Amazon Prime. The series is based on the Harry Bosch novels. Connelly is co-executive producer and co-screenwriter.

C.J. Box will read from, discuss and sign copies of his new novel “Vicious Circle” at 7 p.m. Friday, March 24 at the KiMo Theatre, Fifth and Central NW. The “signature” event , which is free and open to the public, is part of the KiMo’s 90th anniversary celebration.

By David Steinberg

C.J. Box credits his stint in journalism for teaching him discipline.

Box has been writing one Joe Pickett novel every year since 2001 and in some alternating years two books, a Joe Pickett and a stand-alone.

His newest book is “Vicious Circle,” the 17th title in the Joe Pickett crime series.

“I just go to work every day. I think I’m a pretty efficient writer. Once I get the outline done I just sit down and go,” Box said. “I try to get a certain amount of work done every day, usually five days a week and usually over six or seven months.”

He writes in an office that had been the rafters of the barn on his 200-acre ranch near Saratoga, Wyo.

“Vicious Circle,” Box said, draws on the earlier Pickett books retroducing a number of characters, a literary technique he hadn’t used in the series.

Pickett, a game warden in Twelve Sleep County, Wyo., believes that ex-con Dallas Cates, a former rodeo champion, is seeking revenge. He is. Cates blames Pickett for the fight that left three members of Cates’ family dead and a fourth, his mother, in prison. Now Cates is facing a murder charge, and he and his deadly cohorts intend to take out Pickett and his family. You can see the title meaning Cates is viciously circling his prey.

Stressing a small-town flavor, Box interlaces criminal investigation with stories of family, friends and associates. DA Dulcie Schalk is a close horse-riding friend of Pickett’s wife, Marybeth. Cates and the Picketts’ daughter, April, had been in a  rough relationship when Cates was on the rodeo circuit.  Pickett’s mother-in-law Missy is the recent spouse of a celebrated defense attorney now representing Cates in court.

Box doesn’t think of the Pickett series as crime novels. They have been built around controversies common to many Western states, controversies such as energy development, endangered species, resorts. “Vicious Circle” is more of a personal story. 

And Box doesn’t think of protagonist as an action hero, but more a Western archetype. The author has briefly described Pickett in the novels as “thin and of medium height” and by occupation a law enforcement loner responsible for covering as many as thousands of square miles.

The most recent of Box’s awards was the 2016 Literature Award given to his Pickett novel “Endangered” by the National Cowboy Museum and Western Heritage Center.

Later this year, “Paradise Valley,” the last volume in Box’s stand-alone Highway Quartet, will be released. The quartet is about a long-haul truck driver who’s a serial killer.

Box grew up reading a lot. Authors who were his early inspirations included A.B. Guthrie and Thomas McGuane. Other favorite crime genre writers are Michael Connelly, John Sandford and George Pelecanos. “Raymond Chandler was the first one I got into,” he said. “I never thought I was writing mysteries until I was categorized as such. I think they’re more contemporary Western novels.”

Box is one of two well-known present-day Wyoming-based novelists. The other is Craig Johnson, author of the crime series with Sheriff Walt Longmire. Some of the Longmire books have been adapted to a TV series filmed in New Mexico.

     

“Thunder Boy Jr.” by Sherman Alexie, illustrated by Yuyi Morales

Little, Brown Books for Young Readers, $17.99

Review by David Steinberg

Thunder Boy Smith Jr.  was named for his dad, Thunder Boy Smith Sr.

Junior is only a kid but he’s had it with his name. He hates his name. He wants his own, one-of-a-kind name.

Sherman Alexie’s charming children’s book relates Junior’s search for a new name.

Junior considers a bunch of possibilities.

How about “Touch the Clouds” because he once climbed a mountain?

Or “Mud in His Ears” because he loves playing in dirt?

Or “Star Boy” because  he dreamed that the sun and moon were his mom and dad.

His dad’s nickname is “Big Thunder” so Junior certainly doesn’t want to be known as “Little Thunder.” “That nickname makes me sound like a burp or a fart,” he says.

Junior declares his love for his dad but he doesn’t want to be just like him. “I want to be mostly myself,” he says.

Just when he’s thinking about how to raise the issue with his dad, dad jumps in, saying it’s time to give his son a name of his own. Really! What timing!

Dad proposes this name: “Lighting”! 

Junior loves it. What a pair, what a duo he and his father will be.

“Together, my dad and I will become amazing weather. Our love will be loud and it will be bright,” Junior decides.

Yuyi Morales’ bold, brilliant colors give the book a special dimension, a dimension that will brighten the eyes of children and adults alike.

What a treat!

Alexie, a prize-winning author/poet/filmmaker, wrote “The Lone Ranger and Tonto Fistfight in Heaven.” He grew up on the Spokane Indian Reservation. He is a resident of Seattle.

Morales, who divides her time between Mexico and California has illustrated many books including “Harvesting Hope: The Story of Cesar Chavez.”

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Sherman Alexie will give a talk at 7 p.m. Thursday, May 26 at the KiMo Theatre, Fifth and Central NW.

Tickets are available in several price categories – $50 for priority seating and signing line preference; $25 for one general admission and a signed copy of “Thunder Boy Jr.”; $5 for one general admission.

Each ticket includes a donation to the Albuquerque Public Library Foundation.

Alexie will also sign copies of “Thunder Boy Jr.”

By David Steinberg

Today, April 23, 1616 is the day that William Shakespeare died. That’s exactly 400 years ago the man considered the pre-eminent playwright in the English language passed away in Stratford-upon-Avon.

On that same day in that same year another famous writer was buried in Spain. His name was Miguel de Cervantes. He died on April 22 but his death is commemorated on the 23rd, the day he was buried.

Cervantes wrote during what is known as Spain’s Siglo de Oro, its so-called Golden Age of the arts, its Renaissance.

Cervantes is considered the father of the modern novel. And that novel he wrote is “Don Quixote de la Mancha.” Therefore, it’s an ideal day to remember the novel and its author

In Spain and in Latin America, the novel is revered, is referenced, is quoted and yes is read and re-read by general readers. Scholars and intellectuals in many countries have critiqued and commented on its power.

In his 2015 book explaining the novel’s profound influence on cultures worldwide, scholar Ilan Stavans presents in Spanish and in English the novel’s opening. Stavans’ book is titled “Don Quixote – The Novel and the World.”

He writes, “If ‘Don Quixote’ is masterful in its entirety, its first sentence is unforgettable: an extract, an Aleph, a microcosm … It gives both purpose and traction to the narrative.”

Here is that opening sentence: En un lugar de la Mancha, de cuyo nombre no quiero acordarme, no ha mucho tiempo que vivía un hidalgo de los de lanzas en astillero, adarga antigua, rocín flaco y galgo corredor.

Stavans’ English translation: In a village of La Mancha, the name of which I have no desire to call to mind, there lived not long since one of those gentlemen that keep a lance in the lance-rack, an old buckler, a lean hack, and a greyhound for coursing.

The knight-errant rides a skeletal horse named Rocinante. Don Quixote’s round, practical-minded foil is his squire, Sancho Panza, astride his animal, a donkey named Rucio. They’re the model for many odd couples we’ve seen in literature.

Cervantes wrote “Don Quixote” in two parts. The first part was published in 1605, the second in 1615. It is more than 900 pages long and has been translated into many languages, English one of them. In fact, there have been 20 English translations, four by Americans.

Many Americans have come to the novel, he writes, from having seen the stage musical “Man of La Mancha” or having listened to its soundtrack. “The Impossible Dream” is the signature song from the musical and it encapsulates Quixote’s idealism, his individualism, his quest, his adventures, his sense of hope. So he represents more than medieval chivalry. 

Note: In case you wondered, Stavans was raised in Mexico City and is a professor at Amherst College. W.W. Norton is the publisher of “Don Quixote – The Novel and the World.”

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